Character & Calling (Part 3)

My winter reading: James Hillman’s classic The Soul’s Code – In Search of Character and Calling (Random House, New York, 1996).

Daimon often comes to us as we are children with an unexplained fascination or unusual ways of play. I was taken very early with writing short storeys about my friends in my imagined exploits we would solve mysteries like Nancy Drew and her chums. Later I went on to become a lawyer in international tax com of all things. But as retirement loomed, I started writing fiction again with all the enthusiasm I once had as a child. In this, I was lucky. Others are not.

The point Hillman makes is not to squeeze this enthusiasm out of children using the excuse that they need to be socialised in order to perform from an early age as their parents and teachers would want. Just give kids enough room to experiment and grow into that oak tree that their individual acorns had laid out for their lives and not surprisingly, to accomplish this they need to put down some very strong roots in order to support future growth into their potential. 

But as Hillman points out, allowing this is difficult for us in the West, because we cling so strongly to what calls the ascensionist model – in other words – up is good and down is bad. Yet this is not the way of Damon or soul. As the Zohar, the main Kabbalist book, makes clear, zimzum, or the self-emptying aspect of the God, known as Ain Soph, traverses downwards through the darkness in a series of ten concentric circles called Sephiroth, collectively known as The Tree of Life. 

Likewise, Plato and his Myth of Er emphasizes this downward assent. Having arrived from previous lives, all the souls mill about in a mythical world awaiting their new lot, or portion of fate. For example, the soul of a mighty warrior chooses the life of a lion whilst that of a young woman runner, choose a lot of an athlete. When each of the souls have chosen their new lives according to their lots, they are assigned a daimon and without looking back, descend to earth to enact their lot. 

It should come as no surprise that in keeping with the Myth of Er, Hellenistic astrologers devised clever ways to delineate one’s lot using his or her natal chart. Some of these techniques have come down to modern astrologers, notably, the Lot of Fortune (or the Moon) and the Lot of Spirit (or the Sun). The former pertains to the natural flow of events in our lives whilst the latter describes change that occurs because of our intention. So, for example, if the Lot of Fortune describes how much money we are likely to make, the Lot of Spirit describes how we will choose our vocation and answer our calling. 

Hillman reminds us that the decent down into earth for soul is painful and costly and riches and fame never seem to really compensate. He uses Judy Garland as a case to illustrate his point. Judy was born into a showbiz family and at age 2 1/2 years of old, she had her first successful performance singing Jingle Bells. The immediate rapport she garnered from her audience cemented her calling, which she herself said “was inherited”. As Hillman also reminds us, it was the superlatives that betrayed her. According to one and all, during the height of her success, Garland was the best of everything. Even Garland herself said “I’ve done everything to excess.”

Yet as Hillman also points out, Judy Garland may have grown up but she didn’t grow down, as is required for soul. Always, she held on to America’s most treasured drug – the myth of innocence – the psychology of denial. Hillman tells us Garland’s acorn belonged “over the rainbow” and it was little wonder that her real life of drugs and chronic loneliness ended on a toilet the night of 21-22 June, the apogee of the solar year, the brightest light and the shortest night. 

Looking briefly at Garland’s natal chart, we see that her Lot of Fortune is at 21 Capricorn 15, and is thus very strong. Not only is in angular (7th house) but its ruler, Saturn, is very strong (angular, exalted, and in rulership by triplicity and term). Saturn also benefits from the rays (by sign) of three of the four benefics (Sun, Moon, and Jupiter). It is however, out of sect (Saturn is a diurnal planet and is in the nocturnal part of this chart). This suggests that in the natural flow of events, such as making money, Garland would do very, very well – which of course, she did  – but with Saturn being out of sect, this success would also be out-of-balance tending toward harmful excess, which of course was the case. Her Lot of Spirit, at 0 Capricorn is likewise strong also being ruled by Saturn. 

Perhaps it is only when we look at her daimon, which because Cancer is rising is the Moon, that we can understand fully why her life took such a tragic course. At 29 Sagittarius, Garland’s Moon (or daimon) is in an anaretic degree. Planets in the anaretic degree are known as ‘destroying’ planets, often causing difficulties, crisis, overcompensation, and poor choices. Perhaps this is an example of what Hillman has already promised to discuss, a situation where daimon is not good but instead bad?

I wonder why it happens to some and not others – definitely worth investigating further, don’t you think?

(to be continued)


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One response to “Character & Calling (Part 3)”

  1. […] in point, is Judy Garland who most certainly connected with her calling as a talented performer. But eschewing the requirement […]

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