ARCHETYPAL ASSETS

My summer reading: Willem Barrett’s 1959 classic, Irrational Man, A Study in Existential Philosophy.

Like Kierkegaard and Nietzsche before him, Heidegger struggled with the damage that too much navel gazing a la Plato and Descartes inflicted on men. Whilst Kierkegaard saw this as insult to his Christian faith, Nietzsche saw it as a desperate (yet doomed) attempt to fill the gap left by the ‘Death of God’, which he’d taken upon himself to so scandalously pronounce.

But Heidegger saw this navel gazing – with or without God – as an affront to the reality of man; to wit – men are, have always been, and will always be not of heaven, but of earth – the earth upon which we live and upon which we must toil for our existence. Heidegger figured that it was about time that we started ‘thinking’ rather than navel gazing and, in this regard, ‘thinking’ had nothing to do with Platonic ideas but instead everything to do with the practicalities of Being.

What exactly is Being?

To get to the bottom of this, says Heidegger, we need to jettison 2500 years of Western thought and philosophy which has focused solely on what it means ‘to be’ rather than what it means ‘to be of something’. 

Navel gazing again, you say? 

Well, not exactly, says Barrett. This distinction is more than a ‘piece of scholarly pettifoggery’. For example, saying ‘this is a table’ is an empty abstraction leaving each of us to fill in the details with our own preconception of tables. Worse, in doing so we do not even realise – much less question – what it is that we are actually doing. This, Heidegger warns, is the slippery slope to navel gazing and the only antidote is Phenomenology, a concept he borrows from his old teacher, Husserl.

Phenomenology is about setting aside obfuscating preconceptions and letting the ‘thing’ reveal itself to us. This is not to be accomplished, as Nietzsche might suggest, by pushing, prodding, and/or exercising ‘power over’ the ‘thing’. Instead, we must look at the thing with virgin eyes.

Our table might well be made of oak or pine or plywood and it may smell of resin or paint or glue. It is perhaps one metre by one metre square or even rectangular or oblong. It might be pink or blue or red or yellow, all important details to note. Assuming it is yellow, flush this out more – is it mustard yellow, canary yellow, daffodil yellow or a combination of all three? The point is that this table isn’t any old table, it is this table and that is extremely important, whatever that means.

This is all very well and good when dealing with tables, but the plot thickens when we come to describing human existence. Yet this is exactly what Heidegger says we must do and to do this, he sets out.

(to be continued)

My summer reading: Willem Barrett’s 1959 classic, Irrational Man, A Study in Existential Philosophy

During the Franco-Prussian War, Nietzsche watched his old regiment ride by on their way to their likely deaths. As he told the story, it was in that instant that he realized that ‘the strongest and highest will to life does not lie in the puny struggle to exist, but in the Will to war, the Will to Power.’

Barrett suggests Nietzsche’s ideas on the subject were heavily influenced by both his life-long battle with ill-health and his fascination with classical notions of virtue (virtus), which celebrated courage and martial prowess. This is in stark contrast to the ‘modern’ understanding of virtue as relating primarily to righteousness and morality. In formulating his concept of the Will to Power, Nietzsche was harking back to ancient Rome and Greece, when the ego-fueled power to divide and conquer had been highly prized.

Despite the volumes written about Nietzsche’s Will to Power, the concept can be summed up simply as the dynamic discharge of (personal) power. This power is aimed at actively engaging to transform the world to our liking rather allowing the world to transform us by default. Barrett reminds us that such powers still remain so highly prized by Western society that they are deemed to be God-given unalienable rights such as those enshrined by America’s forefathers in the Declaration of Independence, to wit, ‘Life, Liberty and the pursuit of Happiness.’

Unfortunately, Nietzsche’s Will to Power often gets bad press. Barrett suggests this is because we tend to think of power of this sort as ‘power over’ someone; this affronts our sense of justice. Barrett also reminds us that to the extent this is the case, it is not the doing of Nietzsche, but instead of Descartes, whose ‘dualism’ created the subject/object dichotomy with which we are all too familiar – ‘I do XYZ or ABC to you.’

Equally unfortunate, the Will to Power leads directly to nihilism or the belief that life is meaningless. This is because power begets the need for more and more power and more power until – valuing nothing but power, one tips over the cliff edge into the pool of ‘nothingness’. Although many future existentialists would follow in Nietzsche’s footsteps on these points, not all did and this brings us to the next subject of my summer reading, Heidegger.

My summer reading:  Willem Barrett’s 1959 classic, Irrational Man, A Study in Existential Philosophy

Nietzsche’s Thus Spoke Zarathustra is a ‘coming home’ story. It’s also largely an autobiographical story even if, as Barrett reminds us, it is not specifically identified as such.

Our hero, Zarathustra, has spent many years living as a hermit on a lofty mountain top, during which time he has learned much. Now he must bring his learning back to the masses, the ordinary folks like you and me who live in the lowlands.

Sadly, neither our hero nor his fellow men are up to the occasion; the staged media event is a complete failure.

Barrett suggests this is because we ‘moderns’ (as opposed to the ancient Greeks so beloved by Nietzsche) have become so compartmentalised (i.e. playing many disparate roles at once) as to fail to qualify as complete individuals. As the result, like the protagonist in Goethe’s Faust, both we and Zarathustra are unable to reconcile that which is good within us and that which is bad, our internalized Devil.

The reason for this, of course, is the huge gap between the conventional morality of men and their psychological reality. Whilst a superhero like Nietzsche’s Übermensch, or Superman, might have been able to bridge the gap, unfortunately we, along with Nietzsche and Zarathustra can’t.

Thus unless such an Übermensch, or Superman, should one day magically appear, we would all appear to be in permanent predicament.

‘Human, all too human!’ – cries Nietzsche through his alter ego Zarathustra in utter disgust at the failure of mankind to live up to his ideal.

Like Faust, Nietzsche, and Zarathustra, do we each internalize the guilt and self-loathing inherent when failing to live up to mankind’s (moral) ideal? If so, where does that leave us?

My summer reading:  Willem Barrett’s 1959 classic, Irrational Man, A Study in Existential Philosophy

By all accounts, Friedrich Nietzsche (1844-1900) was not a well man. That didn’t stop him from being the genius, which by all accounts, he was. In stripping centuries of Western culture back, like layers of old paint, to the time of ancient Greece, Nietzsche identified what ailed Western culture with more precision than centuries of other thinkers had done.

It all comes down to the foundations of Greek tragedy, the themes of which still thread through contemporary Western literature, cinema, and drama. Greek tragedy has been hugely successful. This, according to Nietzsche, is because it’s a celebration of the Dionysian urge to life, the deep dark primitive urges that men and animals alike, share. But it is more than this. Tragedy quells our anxiety regarding the inherent conflict between our Dionysian urges and the hard edges of civilization, as imposed by the Apollonian power of the State.

Like Schopenhauer, Nietzsche had developed an overarching pessimism toward life, a pessimism he was convinced had been center stage in Greek tragedy; the hero suffers and the crowd enjoys the show. Sound famiar?

Imitation is the sincerest form of flattery; shame Nietzsche didn’t live to see the likes of Sigmund Freud and Carl Jung pick and and run with his ideas that rather han man’s pristine rationalism (‘I think, therefore I am.’) running the show, it’s really those deep dark primitive forces, forces so dark and deep, they tear men apart, as they did with Nietzsche. So much for the ancient maxim ‘know thyself’, which at last, has proven itself a highly dangerous game.

Where does this leave us?

Quite possibly, I suggest, in the challenging position of having to embrace an hold our Dionysian/ Apollonian conflict (‘I am both bad and good at the same time’) in creative tension.

Yet is this not a terrifying proposition?

I suggest that it is. According to Nietzsche, God is dead and we have killed Him. The reason is that we could not bear to have anyone, including the Almighty, look at our ugly side. So much for that creative tension? Well, it doesn’t look good. Worse, with the death of God, we are bereft of our comforting beliefs of the promise of everlasting life. Yikes! Is it truly time, as Nietzsche suggested, for us to grow up and accept responsibility for ourselves?

Whether we do or don’t, after Nietzsche it would seem that we stand on the brink of Nothingness, a pessimistic theme that future Existentialists would expand and explore ad nauseam.

My summer reading:  Willem Barrett’s 1959 classic, Irrational Man, A Study in Existential Philosophy.

What complaint did Kierkegaard along with Nietzsche and others, levy against the intellect? In their view, intellect gobbles you up until you’re so obsessed with your ‘naval gazing’ that, like Shakespeare’s Hamlet, you’re paralyzed, unable to take action.

Luckily there are things to counterbalance this danger and for Kierkegaard this was his Christian faith. Marin Luther was right, it seems, when he said that reason was the greatest enemy of faith. At least he was right according to Kierkegaard who used what he called a ‘dialectical lyric’ to resolve his deeply personal ‘naval gazing’ as whether or not to continue to renew his Christian faith.

According to Barrett, the ‘dialectical lyric’ as outlined by Kierkegaard is invaluable for anyone who, when faced with difficult decisions, does not with to end up a ‘sickly and paralyzed Hamlet’.

To understand how this works, Barrett takes us through Kierkegaard’s most challenging choice of all – to break off his engagement with Regina Olsen, the love of his life. As Barrett points out, the reason that Kierkegaard decided to break his engagement was not simply that he’d determined he was unsuited for marriage; indeed, in his writing Kierkegaard painted touching pictures of the joys that await any man, lucky enough to be sunk deep in the life of the bourgeois paterfamilias, happily lost in deep domesticity. Instead losing Regina was akin to a sacrifice – the only choice possible – if he was to completely and honestly embrace who he was and his authentic life path.

‘I cannot do otherwise’, Martin Luther is reputed to have said when taking action making the Reformation a done deal. Barrett suggests that in breaking off that engagement, Kierkegaard acted the same as did Luther. Life was never supposed to be easy. As the result, the decisions that confront us ought never to be ignored or intellectually justified. Likewise, we must allow neither 3rd party advice, nor theories, nor social ethics or cultural customs to drive our decisions. According to Kierkegaard, consulting your own conscience is the only way.

Authenticity, choice, and personal responsibility are all important themes in 20^th and 21^st century Existentialism. As all the existentialists advise, such things are never easy to face much less to act upon. But as Barrett concludes, dealing with these themes may become less painful when we choose to see them as not saying ‘no’ to something but instead, as did Kierkegaard, saying ‘yes’ to something else when that something else to which you’ve chosen to say ‘yes’ is nothing less than life itself.

The trick to this, for it seems there must always be a trick when it comes to Existentialism (else it would be too easy), is to say ‘yes’ not just intellectually, but with your whole being.😎🌞🤔😳

My summer reading:  Willem Barrett’s 1959 classic, Irrational Man, A Study in Existential Philosophy.

Reason is a whore, the greatest enemy that faith has;

Martin Luther

As 150 years of literature and poetry make clear, Luther was not the only one worried about the dangers of Reason, the pride of the Enlightenment, with its promise of an endless linear transition from darkness to light. Indeed, as Barrett demonstrates, some of Western culture’s most celebrated writers championed the reverse.

Swift

In Gulliver’s Travels (1762), the protagonist visits Laputa, an island floating mid air. For sure, the inhabitants of this island are strange enough but perhaps the strangest is that they are ‘pure Platonists’, drifting off into airy, intellectual speculation and forgetting that which lies directly in front of them.

Odd enough, but even more odd is that shortly before Gulliver’s arrival, the wife of the prime minster took up with a drunken, abusive old footman on the mainland below. The take away seems to be that women, creatures of nature, prefer passion to reason, even when it comes at significant personal cost.

This theme is later addressed by Nietzsche in The Birth of Tragedy in which he explores the inherent tension between two opposing primal forces: (1) the Apollonian (rational) and (2) the Dionysian (irrational). Like a jug holds water, the Apollonian gives form to the Dionysian urge to life. If mankind is to transcend the meaningless of his existence, according to Nietzsche, he must find a way to embrace both.

Wordsworth

In Resolution and Independence (1807), the speaker, roaming the moors, comes upon an old man gathering leeches at a pond. Moved by the old man’s words, the speaker muses about the necessity of facing life with courage, remarkably, a solid Existentialist theme.

Yet as Barrett points out, perhaps the most remarkable thing about this poem is how the leech gatherer is situated in nature, along with the stone and the tree and the moor. This, Barrett reminds us, is not so much about a courageous man in nature but instead of a courageous man embodied in nature.

Is this forerunner for Heidegger’s ideas of being-in-the-world?

Quite possibly, says Barrett, even if such concept may have been furthest from Wordsworth’s thoughts.

Barrett reminds us that according to Heidegger, for man to come to grips with himself, he must first come to grips that he is-in; his being can only be a being-in within the limited confines of the physical environment (stones, trees, moors) in which he lives and the tangible objects (leeches and long grey staffs of shaven wood) with which he interacts.

Coleridge

In Dejection: An Ode (1802), Coleridge explores a very modern mood, feeling cut-off from all that which had once brought him joy and the resulting angst and anxiety.

A grief without a pang, void, dark, and drear,

A stifled, drowsy, unimpassioned grief,

Which finds no natural outlet, no relief,

In word, or sign, or tear…

Coleridge

Barrett suggests this is a precursor to the angst and anxiety (‘sickness unto death’) arising in Kierkegaard’s self-reflections. Although Coleridge seemingly reached no conclusion as to how to mend his angst and anxiety, Kierkegaard did. Kierkegaard concluded that to bridge the gaping hole between (1) nothingness/death and the (2) promise of eternal everlasting life, one must ‘take a leap of faith’ and consciously embrace the challenges of life. Good Existentialism stuff!

Goethe

In Faust (1808), the protagonist is in a melancholy slump. As he’s about to commit suicide, he hears a hymn celebrating the resurrection of Christ. He then takes a walk instead of his own life and upon returning home, he finds a stray dog has followed him. When the dog transforms into Mephistopheles, or the Devil, Faust is offered a deal that he figures he can’t refuse. After contracting to sell his soul to the devil, Faust is transformed from a withered old man into a handsome youth and after a series of adventures, through a contractual loophole known as the Grace of God, gets to heaven instead of hell.

He who strives on and lives to strive/ Can earn redemption still.

Goethe

The take-away here is that he who tries hard enough in life, can be saved. This, Barrett reminds us, is the same theme with which Nietzsche’s Übermensch, or superman, struggles. It’s through accepting the simple fact that which was evil becomes good and which was good becomes evil, that Übermensch rises like a phoenix, reborn, from the ashes worldly morals.

NOTE: although the protagonist in Faust is redeemed by God’s mercy, Nietzsche’s Übermensch earns his freedom by transcending God.

Dostoevski and Tolstoy

In Notes from the Underground (1864), Dostoevkski’s protagonist, a petty clerk in the Russian bureaucracy, voices indignation at being miserably trapped in a rational utopia, a parody on The Crystal Palace, a celebration of the wonders of the Enlightenment in 19th century England.

In the 20th century, Sartre, Beauvoir and other Parisian Existentialists would echo that same frustration with bourgeois hypocrisy even whilst at the same time belonging to, and benefiting from, it.

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In Crime and Punishment (1866), Dostoevski explores the will to power, another Nietzschean theme, even before Nietzsche had considered it.

Dostoevski’s protagonist, an ex-law student living in abject poverty, concludes he has the daring and strength to rise above the moral codes that constrain ordinary men. Putting his ideas to the test, he commits a senseless murder. Overcome by unanticipated guilt, the portagonist progressively deteriorates until at last, in Siberia serving a prison sentence, he realises that happiness cannot be achieved by reasoned plans but instead must be earned by suffering.

Although Nietzsche’s concept of will to power is complex and dense, in essence it runs along the same lines as the ex-law student’s dilemma: happiness grows as one’s personal power increases and although this may feel great, it doesn’t always lead to great results.

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In Anna Karenina (1877), Tolstoy addressed an important Existentialist concern that was later taken up by Heidegger and his ideas about being-in-the-world.

Anna’s husband, Karenin, was a thoroughly rational type: dry, officious, and intellectual. But when seized by jealous thoughts about his wife, Karenin ‘felt that he was standing face to face with something illogical and irrational’ and ‘did not know what was to be done.’

This was his undoing; instead of standing face-to-face with that which was ‘illogical and irrational’, he’d been standing face-to-face with life, a reality he did not have the capacity to accept. Truth, Barrett reminds us, is not merely an intellectual exercise but instead, and embodied experience.

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My summer reading:  Willem Barrett’s 1959 classic, Irrational Man, A Study in Existential Philosophy.

As Hellenist reason takes hold of Western culture, Christianity comes on the scene, and with it, new concerns and questions.

Faith vs. Reason

In the first century, Saint Paul, the Apostle, asserted that the faith he preached was foolishness to the Greeks, who demanded ‘wisdom’ (reason). With that, he’d set up a conflict between faith and reason that would prove more thorny than he could have envisioned.

As Barrett notes, over time faith and reason would become irreconcilable polar opposites. Christian faith, Barrett writes, is not only ‘faith beyond reason, but if need be against reason’. Worse, death, the fate of the 40 million that had so discombobulated Forster, Eliot, and Woolf, would become the fulcrum of those polar opposites.

If Jesus could rise from the dead, then faith would overcome the inevitability of death, a wonderful result. But once, as a long line of Christian Existentialist thinkers like Church Father Tertullian (150-225 AD), Saint Augustine (351-430 AD), and Kierkegaard (1813-1855) had argued, people realized that rationally no one (including Jesus) could rise from the dead, then faith would be lost to reason.

The Problem of Evil

In many respects, such concerns of these early Christians remain the bedrock of Existentialism as we know it today. Indeed, it’s arguable that Saint Augustine contributed more to the Existentialist cause than anyone else throughout history. His heart-felt concerns and fears as expressed in his Confessions, brought mankind to a new rung in the philosophical ladder. As would every good Existentialist following him, Augustine was internalizing personal experience. No longer would the question be ‘What is Man’ – the concerns of Plato and Aristotle. Now the question that mattered most was ‘Who am I?”

Saint Augustine also addressed another point crucial to Existentialism – the problem of evil and the negativity it throws into our lives. Augustine dealt this negativity by subsuming it into the goodness of God. But when Nietzsche declared God was dead (and with it faith), mankind was left adrift. What happens next? Barrett suggests that depends on what, in the intervening time, has happened to reason, that polar opposite of faith.

Nietzsche suggests that with the Enlightenment, reason had morphed into science, which – stay tuned – may not turn out to be such a good thing.

Chicken and Egg

Thomas Aquinas (1225-1274), another early Existentialist, brought to light another key philosophical issue that has plagued Western philosophers for centuries – the relationship between essence (what the thing is) and existence (that the thing is).

In contrast to other thinkers of his time like Scotus, Aquinas concluded that existence must precede essence. As Barrett puts it: ‘Man exists and makes himself to be what he is; his individual essence or nature comes to be out of his existence’.

Given the importance of this, it’s no surprise that the debate continued rage on (behind the scenes) until taken public by the 20^th century Existentialists like Heidegger, Sartre, and Simone de Beauvoir:

• Beauvoir argues that what it means to be a woman is not organically or metaphysically predetermined (essentialist), but culturally determined (existentialist).
• Heidegger examined the nature of Being through his construct, Dasein, and concluded that it is not so much existence but instead lack of existence (death) that drives us to our destinies.
• Sartre concludes that whether or not existence precedes essence in general, it most certainly must be the case with mankind.

Science

As Nietzsche suggested, reason had indeed morphed into science but not everyone – even at the time of the Enlightenment – agreed that science would bring an endless linear transition from darkness to light.

When I consider the short duration of my life, swallowed up in the eternity before and after, the little space which I fill, and even can see, engulfed in the infinite immensity of space of which I am ignorant, and which knows me not, I am frightened, and am astonished being here rather than there, why now rather than then.

Pascal / 17th century French physicist and mathematician

With Pascal, an ardent yet despairing Christian, and a clever scientist to boot, we climb yet another rung on the ladder of Existentialism, as espoused in the 20th century by the likes of Heidegger and Sartre.

But wait – the whole story had not yet unfolded; like Pascal, not everyone was infatuated with the Goddess of Reason and so what comes next? Oh no, not the poets!

(to be continued)

My summer reading:  Willem Barrett’s 1959 classic, Irrational Man, A Study in Existential Philosophy.

The primary problem which Existentialism has tried to highlight is how little we Westerners understand ourselves, our human nature, and the forces by which our human nature has been formed.

As Barrett points out, those forces divide neatly into two historically influential opposing camps: Hebraism focuses on what’s wrong and Hellenism focuses on what’s right. As Barrett reminds us, it’s all well and good to focus, as did the ancient Greeks, on attaining perfection but there is always something that gets in the way and that something, which we’ve inherited from the ancient Hebrews, is sin.

How does this affect us today?

According to Barrett, this ancient opposition equates to the mind/body split which lies at the very heart of our (Western) core. The ancient Greeks couldn’t deal with the body and the mortality it implies. So they remained solely in their heads to remain in touch with eternity, through, for example, Platonic Forms (i.e. ideas of things that actually exist). By contrast, the ancient Hebrews couldn’t get out of their bodies, no matter how hard they tried. Hence right from the start they were forced to face their mortality which, after that incident with the snake in the Garden of Eden, had became a hard and fast reality.

Where is the balance?

This, Barrett reminds us, brings us to the famous myth of the soul in the Phaedrus: the driver of the chariot, or reason, holds the reins of both the white horses (symbolizing human spirit) and the black horses (symbolizing man’s bodily appetites and desires). The message is clear. If man is to achieve salvation, he must seize control through reason.

Note that this dualistic opposition between black and white is a Western construct. Witness the difference between the Chinese treatment of black and white, Ying and Yang.

According to Barrett, the effect of this left Western society in the position where ‘humanity, the universal, is more real than any individual man’. Existentialists like Kierkegaard and Nietzsche have tried to reverse this unfortunate construction but have been hindered, no doubt, by the still lingering effects of original sin.

Sadly, this effects some more than others as Virginia Woolf was quick to point out by referencing ‘Milton’s bogey’ in her famous essay, A Room of One’s Own. In Milton’s epic poem Paradise Lost, Eve gets double blame for original sin by first allowing herself to be seduced by the snake and then seducing Adam. As the result, at least in the Western world, women have long been considered the intellectual inferior of men. It was this classic injustice that spurred Simone de Beauvoir to pen her own existentialist classic, The Second Sex.

(to be continued)

My summer reading:  Willem Barrett’s 1959 classic, Irrational Man, A Study in Existential Philosophy.

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Beginning

Art reflects life and life during the early 20th century rise of Existentialism was fragmented and disjointed, at least it appeared thus based on Western man’s perception of the world, which in turn was based on ancient Greek notions of linearity. This is clearly laid out by Aristotle in his famous work, Poetics: drama (and by extension, life) must have a definable beginning, middle, and end – in that order.

For Western man, disruption of linearity leads inextricably to angst and anxiety. This is precisely what Existentialists like Heidegger (1889-1976) were trying to address.

For Heidegger, ‘time is no longer a reckonable sequence’ but instead ‘an inexhaustible inescapable presence’. In other words, real time, unlike time displayed on clocks and calendars, is primitive, primordial, spooky; real time, as understood by Heidegger, is all that man has and will ever have. Scandalously, sadly, said real time is also shorn from otherwise comforting pre-Reformation notions of eternity.

For Existentialists like Heidegger, real time is the reflection of a reality fraught with angst and anxiety, anxiety and angst that is the natural reaction to disruption within the ‘dense medium’ through which Western man drags himself every single day, the every day medium which is his existence, or Being.

As such, it’s little wonder, Barrett instructs, that early 20th century writers like Woolf, Eliot, and Forster, on the rebound from World War I, the first truly global conflict killing nearly 40 million, experimented with disjointed ideas of linear progression and calendar or clock time.

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Middle

EM Forster

For example in Howards End, Forster juxtaposed physical manifestations of the old and new; the idyllic countryside (‘untroubled meadows’) is viewed by Mrs Munt from the train on her journey to her house, Howard’s End. She sees it as ‘awakening after a nap of a hundred years’ to such ‘life’ as is conferred by the ‘stench of motor-cars’. But if Mrs Munt was ‘equally indifferent’ to ‘history’ – ‘tragedy’ – the ‘past’ and the ‘future’, Forster was not.

He uses that stinky motor-car as a symbol for death and destruction – Charles (with his fit-for purpose ‘gloves and spectacles’) who virtually becomes his car (his father admonishes – your ‘one idea is to get into a motor’) kills Mr Bast, and the paddock is sacrificed for a garage to house the motor, and the motor-car ‘flattens’ a cat.

But no matter how often characters urge each other to ‘bridge’ the gap (between what is never made precisely clear), for the most part they seem to fail except perhaps through the marriage of Margaret (old order) and Henry Wilcox (new order) – neither of whom (interestingly) drives a ‘motor’!

TS Eliot

But whilst Forster seeks connections, TS Eliot seems to glorify disconnectedness, especially in regards to metaphysical reality; in his poem The Wasteland, there are numerous references to a troubled Christianity. For example, in the section entitled A Game of Chess, a reference to the ‘sylvan scene’ (an allusion to the 4^th book of Paradise Lost by John Milton where Satan came in the view of Eden) serves as an appropriate forecast for the immediately following allusion to Philomela who was violently raped by her sister’s husband, Tiresias (who may be equated with Satan). The message would appear to be that all hell is breaking loose in creation.

As each different section of The Wasteland shifts to the next without transition (or sometimes without even obvious links), we get a sense of how frustrated and lost that society must have felt. But unlike Howards End, The Wasteland seems to suggest connections cannot ever be made. In What the Thunder Said, we learn from the poem’s speaker that he will be unable to ‘set my lands in order” because ‘London bridge is falling down’ – and that the ‘fragments’ have been ‘shored against my ruins’.

Virginia Woolf

Whilst both Forster and Eliot draw attention to the problems inherent in making connections in a fragmented reality, Virginia Woolf seems to suggest everything will sort itself out in the natural course of time. For example, in her autobiographical writings, Moments of Being, she states that she personally takes ‘great delight’ in pulling together her own ‘severed parts’ by dredging through memories (perceptions of time) – much in the same way that many of her fictional characters appear to do.

In Mrs Dalloway, the ebb and tide of Clarissa’s day are a jumble of events, places, and people bound together solely by (often disparate and fragmented) memories spanning more than thirty years. Quite how reflections on the ‘most exquisite moment of her whole life’ when she had been kissed by Sally Seton are connected with her own ‘faults, jealousies, vanities, and suspicions’ (conjured up by Lady Bruton having not asked her to lunch) is left to the reader’s (vivid) imagination. But the way they are presented as a given – we sense that Woolf was never in doubt that they were connected.

In Orlando, the only continuity between the hero turned heroine after a four-hundred year romp through history is his/her memories and face. Indeed, memory or personal perceptions of reality, are again here the binding thread – ‘running her needle in and out – up and down – hither and thither’ in a way that clock ‘time’ (which makes ‘animals and vegetables bloom with amazing punctuality’) can never do.

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End

At the end of the day, all this fuss, literary and otherwise, regarding the disruption of logical linearity is merely a question of perception. There’s a reason, Barrett says, that unlike Western society, Oriental cultures did not give rise to Existentialism. Such cultures do not share the Western preoccupation with linear ordering and so have no need to examine or explain its breakdown.

In other words, the ordered, precise and linear world of Western society is nothing more than a mental construct reinforced by centuries of culture.

Change that construct, and you’re well on the road to resolving ‘angst’ or that deep seated, irrefutable, insatiable anxiety from which 20th century writers like Eliot, Forster, and Woolf and Existentialist philosophers like Heidegger, were suffering.

Might the 20th century efforts of these men and women shed light on the 21st century anxiety and angst which in the aftermath of Covid-19, we are now suffering?

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(to be continued)